21세기악회에 오신걸 환영합니다.

　 콜로키움

제3회 서울국제작곡콩쿠르 기성작곡가부문 본선진출자

(기성작곡가부문 1등상 수상자)

　이 글은 지난 2005년 3월에 열린 제3회 서울국제작곡콩쿠르에

참석한 본선진출자들의 콜로키움자료입니다.
콜로키움은 통역없이 진행되었으며, 각 작곡가에게서 받은 자료를
번역없이 그대로 싣습니다. - 편집부

Seung-Ah Oh (Korea) - ‘Double Palindrome’ for Fl., BCl., and Pf. 동영상

1. Title: Palindrome/ Double Palindrome

2. Compositional intent: Re-assembling independent solos into duos or trios.

3. Structure: A palindrome, embracing a second palindrome and closed with a coda.
...P1(A) // tr.1+ eps.1(B) //
...P2(B+C+D)// eps.2+ eps.3(B’)+tr.2 //
...P1(A+B+C) //
...Coda(D)

4. Musical materials
... Piano
.............- piano theme
.............- improvisational context
... Bass Clarinet
.............- Three variants of the motive
... Flute/Piccolo
.............- Motive from Palindrome 2
.............- Two note figure from Palindrome 1
.............- One note repetition + descending chromatic scale from episode 2.

5. Some compositional procedures: examples in flute/ piccolo
... Tail variation (piccolo)
... Palindrome process (flute)

6. Combinations of solos
... Flute + Clarinet
... Flute + Piano
... Piccolo + Piano
... Piccolo + Clarinet + Piano

7. Coda

4. Musical Materials

Piccolo + Clarinet + PianoPiano theme

Within an improvisational context

Bass Clarine

Fragment from the solo t

Motive from the inner palindrome (palindrome 2)

Motive from outer palindrome (palindrome 1)

Flute/Piccolo

Motive from the inner palindrome (palindrome 2)

Two note figure outer palindrome (palindrome 1)

5. Several compositional procedures: examples in piccolo and flute

Tail Variation

Palindromic process (Flute)

6. Combinations of solos

Flute + Clarinet

Flute + Piano

Piccolo + Piano

Piccolo+ Clarinet + Piano

Final trio (Flute + Clarinet + Piano)

■ Seung-Ah Oh

Seung-Ah Oh is a native of Korea. After her education from Ewha Women’s University, University of Illinois Urbana-Champaign, Brandeis University and The Royal Conservatory of the Hague, now she lives in the Netherlands and working closely with individual players and variety of ensembles.

Her music covers wide range in style and genre and ger style has rapidly changed last few years pursuing her voice of her origin. DaDeRimGil-for six percussion players written for Percussion Group the Hague-was received warmly and enthusiastically in 2003. The Volkskrant (The Netherlands) wrote “and exciting piece where you experience great variety of timbre and its organic development”. The Plain dealer (Cleveland, US) wrote “brought Asian sensitivity and meditaton” after So-Ri I for guitar and flute. She has received scholarships, fellowships and grants including the residency at the MacDowell Colony, the Kim Young-Hee scholarship, the Schumann-Ford scholarship, the Munzer fellowship, De Fonds voor de Scheppende Toonkunst, Amsterdam Fonds and various invitations from the workshops and festivals. Ms. Oh’s music was performed world-wide including France, Germany, Italy, the Netherlands, Norway, USA, and Korea and has been programmed for venues such as Oregon Bach Festival Composers Symposium, Musica XXI, Musica in Irpinia, Comune Di Reggio Emila, International Gaudeamus Music Week, Nederlandse Muzick Dagen, Ultima Oslo Con temporary Music Festival, VPRO(The Netherlands National Television), Aki New music Series, Aspen Music Festival, ChoSun Newspaper Young talent concert series, MBC(Mun-Wha Broadcasting Center, Seoul Korea) and etc.

Her music was performed by ensembles such as Percussion Group the Hague (Slagwerkgroep Den Haag), Nieuw Ensemble, The resident chamber ensemble of the Composers Conference at Wellesley College, POING, Orkest de Volharding, New York New Music Ensemble, Ensemble Contrasts, Orkest de Ereprijs, The Mostly Modern Chamber Society, Lydian string quartet, Auros Group for New Music, The Third Angle New Music Ensemble, KAIDA Trio, The Winter Trio, SOIL Ensemble and various ad-hoc ensembles.